Before I kick off the Sunday Weekly Poem, I felt it behooves me (such a lovely word behoove, and one rarely gets an opportunity to use it!) to have a bit of reflection and de-briefing on the experience of writing and posting a poem a day everyday for a year.
It began on 15th September 2018, with https://sojourningsmith.blog/2018/09/15/some-poetry-making-etudes/. My childhood piano teacher, Miss Mildred Herring, gave me a book of five finger exercises to build my piano playing muscles. I was an indifferent piano scholar, but the idea of regular poetry practice appealed. I wanted to write better poems. I knew I could write a poem a day for a month, since I had been able for two NaPoWriMo’s.
I never set out with the intention of writing a poem a day for a full year. But around Month 3 it began to occur to me that I might be able to do it. I loved the regular poetry practice. If I was late writing in the day, my day just did not have the same quality.
So this is what I gleaned from my experience of writing and posting a poem a day for a year.
Poetry Writing is Grounding and Centring
Let’s face it, no matter where you live on the planet, we live in uncertain times. I began the project and found that the daily writing practice helped me channel my anger and anxiety. It became a place for my mellower musings, too. I got it out and put it ‘there’ on the blank page. And there it remained, transformed and tamed. Poetry writing was the ballast that kept my internal boat from capsizing. Over time, poetry and the boat all became one thing.
Vulnerability Has Transformative Power
I love my fellow poets and writers, but to be brutally honest, as a genus we can be a bit precious over our product. We are sensitive plants and probably need to be to do the work. But if one is ever going to share the work you need to grow a thicker skin. By posting daily I did not have the luxury of a lot of time to edit and refine. So some of the poems are raw and others just plain lame. I had to get past my inner critic’s perfectionism, which can sometimes be the great destroyer of creativity and its creations. (Remember Kali, the mother destroyer goddess. We all have our inner Kali. But we don’t need to kill all our babies in the re-write and editting phase.) By working fast I had no time to be precious. I woke. I wrote. I posted. I got on with the rest of my life’s day. In that very vulnerability of putting it out there I found creative power. I learned not to be cast up or cast down by blog statistics. I just did the work.
Routines Create Neural Pathways
By writing daily I had the ability to try out new poetry forms. When I started I was technically proficient in assonance, dissonance, syllabics. I was a bit allergic to end rhyme. I had written maybe one sonnet in my life. I was not against formalism in poetry. I have written haiku and know all the variations on that form (NB: https://sojourningsmith.blog/2019/05/22/when-a-haiku-is-not-haiku/). But trying out sestina, pantoum, and sonnet stretched me technically. Admittedly, last autumn I had more time to research and learn. But it was great preparation time spent when things got really hectic come January 2019. The neural pathways had been pioneered. The habit of daily writing was well bedded in by the time my schedule got tighter. The routine was carved into my brain’s neural pathways and things were sparking nicely there. My brain was humming happily.
Nonetheless She Persisted
Yes, there were times when it was very hard to do the practice. But by then I realised the writing was not just a writing practice. It was a form of spiritual discipline. It was my morning meditation practice. Houseguests, who are people who love me, understood that morning was sacrosanct and the hush needed to be maintained. (For this I am profoundly grateful. Most hostesses do not leave their guests to fend for themselves first thing in the morning and demand radio silence upon the house. But they respected the writing practice.) A migraine delayed writing and posting, but did not deter. Nor did deathbed vigils, bereavement and funerals. But by that time, I realised that the writing practice was holding everything together for me.
But I will admit that at Month 10, I really began to flag. I was generally tired from juggling several teaching projects, as well as getting up early to write each morning. I am more pit pony than racehorse and the first six months of the year felt like I was at full gallop. But I kept at it because I was so damn close! ( I have got a competitive streak, which usually only gets outed during Scrabble matches.) I could see the finish line in sight. A 30 day course of daily writing prompts rescued me for four out of the last six weeks before finish line.
What’s On My Mind
Up until this year I would probably have characterised myself as mostly a nature or environmental poet. I knew that there was a storytelling voice in there too, which some critics would cast askance. Writing a poem a day challenged me to explore new subject matter. It loosened me up. But I didn’t have the time to actually look back and see if there was a thematic thread running through the poetry posts. In the past two weeks as I have reviewed the archive I can now discern a few different categories of my pre-occupations. And this will help me go forward to create a manuscript of the best of the 365 Poems A Day.
I do have very kind and faithful readers who have indicated that the Poetry Daily will be missed. But they seem to understand that I need the time for editting and pulling together a manuscript to create my first solo collection. Previously, I have have collaborated with my sister, Pamela A. Smith, on a transatlantic haiku ‘conversation’ and with Helen Shay in our co-collection Binary Star. Helen and I have another co-collection in the works.
But first I need to whip the solo collection into shape. So watch this space.
In the meantime, I will post a Weekly Poem each Sunday. I will point you to some previous ones in the archive at times. And in the first week there are a few scheduled little poems to help wean you from the Poetry Daily.
But now…start the Weekly Poem routine! I did not realise that I had written a poem on a similar theme last year. (Poets have their obsessions and recurring themes that are as regular as the full moon. To see what last year’s version looked like see this post. https://sojourningsmith.blog/2018/09/25/harvest-moon/
Harvest Moon (II)
Moon to illuminate
all that's been dreamed
all that's now done
The starry firmament
shines a woman
holding some sheaves
Not a bull or a ram
not a half-horse
that's half a man
Not fish or scorpian,
crab or lion,
not even goat
Not the adrogynous
or inert scales
She who bears the seed to
holds the harvest
A woman holds the sky
as she always
does on this earth
Everything she dreamed
is now all done
so she can dream
yet another turn round
the sun, the moon,
the seed, its bloom.
Copyright © 2019 Bee Smith. All rights reserved
Until next Sunday! Read a poem a day while I am away!
Featured image Photo by Anita Austvika on Unsplash