I could relish NaPoWriMo’s Day 13 poetry prompt. It’s all things witchy and magical.” Today, we’d like to challenge you to write a poem about something mysterious and spooky! Your poem could be about something that is mysterious and spooky in a bad way (like a witch), or mysterious and spooky in a good way (possibly also like a witch? It depends on the witch, I guess!) Or just the everyday, mysterious, spooky quality of being alive. ” Now I don’t really do spooky, but I do do WooWoo. I do live in the liminal space where magic can and does happen now and then.
My eye also fell upon a random note. My nickname and nom de plume (Bee) is derived from the Old English for been, or bean, meaning “a prayer, a favour.” It then became associated with working parties like sewing or quilting bees. And, by way of synchronicity the other day I arrived in the classroom just as the kids were closing their Irish books. I flaunted my minute Irish vocabulary, mentioning that I was nearly late because my husband was doing meitheal with his mate. Meitheal is the Irish for a working party, neighbours helping each other get work done (“many hands makes light work”), especially at harvest or hay making time. Even the teacher hadn’t heard this one. And I did spell it right! (I checked when I got home. Preen moment.)
As to the featured photo of the white calf…well, it is standing before a fairy fort. And any pure white animal with a single red part is in with the fairies.
This is what the black bird said: You can slip between worlds through this gap in the hedge. Each tree's knot, knarl and burl makes you wise to ways nigh forgotten, all but for those of us who fly or crawl. But The Good People like to make allies with some of the Other Crowd who've no knack for stomp and stalk. They like silence, but can sing loud. Because you need to know how to dream a world into being.
It's like this,the blackbird continued, saying: Magic is made of many parts- prayer, song, a pure intention backed by your flora and fauna friends, done by the movements of the moon. It's the knowing when to sow, the time to reap, the way to keen. Magic is in neighbourly exchange of hedgerow jelly in autumn time and the collecting of sloes to flavour Yule wine. It's shooing lost sheep back to their fold and helping mend fencing strong enough to hold any gleeful lamb who leaps too high too soon like the calf that jumped over the moon.
And then there is this: A hedgewitch keeps herself well only so long until someone else can spell her and assume her magical work between the blackthorn and the hazel trees, to ken the mending of what has been rent between the folks that stamp and stalk and have lost all good sense, those who simply cannot see what lives in the woods, what lives in the trees. Or The Good People, living beyond yon hedge, in the gap where there is a magical screen. They who work all the magic yet are never not seen.
Despite the sunshine I am feeling lacklustre about the poetry practice this morning. I have rules for myself. I really, really need to do it in the morning because my energy is likely to run out of puff by the evening. Evening is either a full flop or dedicated to interactions with friends, often telephonically or video linked. Mornings are for the poetry making, no matter how incomplete. And writing fast, playing the scales up and down, I realise I do need to find time to go back and see if the poem is an actual whole. Am I writing fragments? Are they poems at all? Writers can funk. even when the sun is shining and the blackthorn blossom is adorning all the hedgerows around.
One of rules for NaPoWriMo is to actually do what the prompt says. I know the website says it is optional. It’s a self-imposed rule. “Today, we’d like to challenge you to write a poem about a dull thing that you own, and why (and how) you love it. Alternatively, what would it mean to you to give away or destroy a significant object?” I am not a materialistic person, but having dragged various objects with me through three country moves it is fairly easy to designate objects of significance. Mine is a conch shell. Provenance: Long Beach Island, NJ. Found by: sister Given to: sister.
You can put it into the box with me. Place it so my ear rests against the conch. They say hearing is the last sense to go. Let me go out with music from the sea as the casket solemnly slides to launch toward the cremie's flames red hot glow. Let us face together eternity ashes to ashes love's ocean and me.
Day 11 dawns early given many mission and tasks to complete. I set the alarm extra early. And what do they ask of us? A personal origin poem? ” …we’d like to challenge you to write a poem of origin. Where are you from? Not just geographically, but emotionally, physically, spiritually? Maybe you are from Vikings and the sea and diet coke and angry gulls in parking lots. Maybe you are from gentle hills and angry mothers and dust disappearing down an unpaved road. And having come from there, where are you now? ” Big theme NaPoWriMo! Poems need compression. How to put a gallon in a pint pot!? It’s been a longish life, too. But a few years back I did a similar exercise and realised that the recurring theme in my peripetic lifetime is …rivers. I even did a collage around it, figuring in all the rivers that have been relevent to my life story. Not all have made it into the poem, See if you can spot the difference.
I am of rivers. All flow. They meet the ocean, roll on.
First was East River. I'm Bridge and Tunnel for four generations. There's a Delaware ferryman mother's side piloting flow back and forth. I know rivers, how they meet.
Then Susquehanna. Marcellus rock formed my teeth and bone. I am of rivers. All flow. They meet the ocean. and roll.
Potomac, then Thames, preoccupations adult. Capital! Then slowing down to Yorkshire's Ouse, Wharfe, Aire, snake goddess piercing my heart. There's a hole - river hewn hag stone.
Yes, I'm of river all flow going to meet, reach ocean still seeking the source.
At last the River Shannon close to its pulsing Pot, where the river rises, trickles, flows, spreads, widens over Midland plains, rolling down the lip of land. Fresh water meeting sand and salt and there river meets ocean.
I am flow, rock, roll, water of love meets soul. I am of rivers seeking all flow yearning for the ocean's rocking and roll.
The featured photo is my own of the Shannon Pot, where the longest river in Ireland rises about three miles from where I have lived for the past seventeen years. The photo was taken when the Pot was very full, almost to overflow, not unlike how it might have looked at the mythic start of Ireland’s own origin story.
I am playing fast and loose with the NaPoWriMo2019 prompt for today. “Today, I’d like to challenge you to write a poem that starts from a regional phrase, particularly one to describe a weather phenomenon.” I have a cracker of a regional phrase, one from County Armagh, Northern Ireland. Which makes this very GloPoWriMo2019 and gives me a chance to vent about Brexit.
“Shar me hay-ed” is what it sounds like. This translates as “shower my head”. Or could even be used as “go shower your head.” It’s more to do with internal weather than external low and high pressure systems. My late sister-in-law came over to us in England from Armagh back in the late 1990s for her fiftieth birthday to “shar me hay-ed.” With a hard Brexit looming and living in border lands we may all be needing to go shower our heads more frequently. In a little over a week I will be escorting a group of school childrenthrough a sliver of territory that will cross international boundaries twice. This is just to take them for a guided walk in Cavan Burren Park, which is part of a cross-border global geopark. It’s supposed to be a fun day out during a Easter Holiday School doing arts and crafts.
I just realised I may have to pack my passport since I don’t have a photo ID driver’s licence. I have to ride on the bus to fulfill the mandatory number of adults for Child Protection Policy.
The point is that nobody knows what all the implications will be. To have called a referendum without a plan was just plain wicked and so disruptive of millions of lives. Blast Brexit! We all need to go shower our heads over this.
Go Shower Your Head
"I need to shar me hay-ed," she said. Not the power shower sort of head. A break from all the stress forcefed living with an army of occupation and hotheads A soft day cannot wash away bloodshed.
So go shower your head in a cascade. Change your weather channel in glen and glade. We all need to shower our heads to biodegrade our dismay.
Today’s NaPoWriMo prompt turns for inspiration to a long gone Japanese woman poet, Sei Shonagon, famous for her Pillow Book of astute, acute observations of court life. She was a great one for doing list poems on rather grand themes like Things That Have Lost Their Power. Never say I am not ambitious!
The depradations of age... the body has arrived at the stage of being the creaking gate, the wobbling fence post. It's fate. Words escape. Occasionally, object or subject vaguely becomes 'thingy.' Context is the template that helps us negotiate. Until they have all gone on we lean on those sharing this Rubicon. Oddly, despite 'thingy', things matter less and less. We live gaunter in every way- our bones brittle, hair thinning around the skull. However, others' opinions matter naught. They're spent canons. Sometimes wisdom finally arrives. Fear's vanquished, deprived all its power to manipulate. Women can luxuriate, stroking their moustaches and goatees. A man can eat only cheese. Age denudes us of our vanity. For some it takes sanity, makes crappy, cranky, crumbly, crusty. Age makes the brave. Oldies are toughies.
Today’s NaPoWrMo2019 has challenged us to use some sort of professional or business jargon and then run with the metaphor. I cannot say that this prompt is sparking much joy in me, but then I am feeling the weariness of a marathon runner at mile seventeen. I did dip into the resource pages suggested, but still felt uninspired. Nonetheless, I tell my kids that failure is part of the creative process. Things don’t always work, but the only real failure is not to try. Gotta walk the talk, teacher!
So I dipped into a past experience of working in a call centre. Our cubicles were called Pods. Which was company jargon. So…I’m trying…We also had to do some sort of personality test in the training. I was a dolphin. Apparently our modus operadi is to help people.
Others may school or herd, but here, intelligent animal life listens from a 2x2 cubicle.
The point of these conversations is to reach cooperation with the high risk funking on the credit card company.
So let this nice dolphin give you some peace of mind. Because if you don't very shortly we will sell you out to sharks.
Here in Pod Land we flip and leap and play each day, smile on the phone to get you to give more money in call after call after call.
A week down on NaPoWriMo2019. “Today, we’d like to challenge you to write a poem of gifts and joy. What would you give yourself, if you could have anything? What would you give someone else? “
You could spin this theme a hundred ways. I was reading a blog post over on http://www.traciyork.com about a PowerHouseCreatives challenge on Five Things That Make you Smile.. That could have been the way I went with today’s poems (the fuzzy notebook with a llama on it that made me smile in Tescos, so I bought it and sent it to my brother in Brooklyn where he did the literal LOL on receipt.) There may still be a poem in it for another day.
But this is where the morning writing practice decided to go. It’s later than usual. With a busy schedule of workshops I need to have sleeping in days to recoup and re-centre.
I see you. You see me. That time we woke and beauty was in our eye. There was a rose in a glass on the mantel. We were in the initial throes of our love.
I see you. You see me. We woke. We saw the beauty. From which we sipped and still drink. It is a glass forever full of our love.
I see you. You see me. Changed in that blaze of beauty, it doesn't disappear in a blink. It stays. That scent which arose from our love.
I see you. You see me. Now we look around. Beauty surrounds. Because when you saw me, I saw you, we saw the world. The grain of sand became the pearl of our love.