The Grand Silence

Long time, no blog. 2022 has been a year, hasn’t it? My much beloved Windows 7 steam-powered laptop finally expired and I am test driving the new laptop with this blog. Which, in part, explains the long blog silence. As a touch typiest who learned on a manual typewriter (yes, i am THAT old!), I hate typing on a tablet. But sometimes if you don’t feel there is anything fresh to offer, then it is best to shut up and garden. And work on the house. My husband and I have done both. They have been grounding activities as we have wrestled with online banking and branch closures and other administrative frustrations all this year posst-pandemic.

Note to young readers out there: the older you get the less elastic your adaptability becomes, especially after two years of sequestration. And why are they closing bank branches just when we hunger to see faces and can safely deal with human interaction? Somedays it feels like the War of the Robots is the new business model for just about everything! Now, I REALLY sound old!

My husband is quite extraordinary. As a sort of throw away wish during lockdown, I said aloud that I wanted part of the garden to be dedicated to Brighid (aka St. Brigit of Ireland or the goddess Brigid). I researched plants associated with Her. We walked the acre and identified a spot that looked a likely place to put it. Come Imbolc this year, Tony began digging out rushes, orris root and comfrey that had run amuck. The site is slightly sloping so he needed to level it some and also put in drainage in parts. This is West Cavan after all and though we have a lot of ‘black gold’ peat , there is also a lot of clay, some of it that blue daub that you could make into dinner plates. We began with some rockery plants, including one rock rose called ‘The Bride.’ Because there were also a lot of large rocks he dug out.

Then he created small raised beds and made a bamboo pallisade to support a wall of sweet peas this past summer. We put in a number of perennials, like veronica, wild plants like Lady’s Mantle, teasel, and milk thistle. I planted red-orange coloured gladioli to give a ‘flame’ effect in the summer. When I visited Bloom in Dublin this past June I scored two hardy fuschia; fuschia is a flower that symbolises abundance and so does Brighid. We kept one patch of rushes at the heart so I can weave St. Brigid’s crosses this coming February. This past month or so we have cleared the sweet peas and planted spring flowering anemones and and narcisssi – Anemome St. Brighid and The Bride and Narcissi Bride’s Crown. A winter flowering jasmine has been added for some winter colour and a heather bed.

Friends have pitched in with making signs and a hand made bench will arrive so you can sit and meditate in the space. I got an online company to print my poem “Brigid’s Mantle” onto a non-PVC banner and it has gone up.

Next Spring will see an Orangery erected so I can write in a midge free zone during the milder months. I will also be able to invite friends to sit in and drink tea and look out at the flowers in all weathers.

This does not include the many vegetables that we harvested and that I cooked, froze and processed. We are still eating potatoes that Tony planted in tubs. So we are about three-quarters self-sufficient in spuds this year. There are still broad beans in the freezer and there were some home grown green beans left in the freezer for a Thanksgiving green bean casserole.

Now we are in the middle of a major kitchen tear down, rehab and re-wiring job. Which I hope will be done by St. Brigit’s Day, a new bank holiday in Ireland in 2023 for the first time. And not before time! She actually was born in Ireland, unlike St. Patrick! It feels like a good sign that women will be getting more rights and that misogyny will wane. St. Brigit was the most canny of women. And a survivor and adaptor par excellance! She evolved from pagan goddess to a Mother Abbess – and a bishop!

Once the Poetry Map project was launched for Cuilcagh Lakelands Global Geopark in March, I was badly needing some time out. I continued with my Zoom group of women writers throughout the year, but my own output has been very small, scappy and first draft languishing. Nothing was getting my pulse racing. No ideas or projects felt diverting.

So it seemed sensible to remain silent. Editors and readers want something fresh. While I had plodded on throughout various Lockdowns, maybe I needed to admit to myself that I was as tired as the World itself.I repeatedly heard people report fatigue and exhaustion. Maybe it was partly because so many of us embraced activities that have been impossible for two years. (We returned to a community drum circle this autumn and singing/music practice with two other friends.) But interaction with more than a handful of souls was a skill that had gone a bit rusty. In our rural fastness I found I was much more sensitive to loud noises and crowds. A trip to IKEA in Dublin was way too over-stimulating for my nervous system.

Perhaps it will take a while for the World and Its Wife to re-boot after two years of virtual seclusion. You would have thought I had had about as much silence as I could take, but then again…The world was knocked off its axis and it has not yet regained its balance. Things are still very wonky and people are still getting sick.

I do still believe in the healing power of words. But I also know that stillness and silence are even more profound and very deep medicine indeed. Staying connected to the earth and nature have been grounding not just for me. Maybe I have also been doing some of it for you, who may not have nature just outside the front door. Maybe it has been more important to remain anchored when so many are uprooted by war, economic recession, and bereavements of so many sorts.

Stay grounded. Bear witness. Testify when it is time.

And in the estremely severe temperatures in Ireland this week – frost on hoar frost on hoar frost – -7C most nights

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Geopark Poetry Map, NaPoWriMo and More

I have had quite the hiatus from the blog. Initially, I told my Zoom group I was going to take time out in March to write. But actually, life, the universe and everything had other objectives. No worries, I am well. And just a little miffed that some doctor is opining that those who have not had Covid-19 so far have no friends. I certainly have friends – I just know how to interact by socially distanced means and have kept face-to-face interactions rationed. Well, until March anyway. And I am still fine. Just very busy. Also keeping track of those who did get felled by the illness this past month. Moral and spiritual support is a vital ingredient to all truly meaningful friendships. And March has been an intense month on both the macro and micro levels.

So, not a lot of writing done except for some haiku and a speech on UNESCO World Poetry Day when we launched the digital Cuilcagh Lakelands Geopark Poetry Map. It was fifteen months in the making and the pandemic offered many challenges but the project is done! You can read and listen to the poems here. Scroll down the Communities page and you will find the link to the Poetry Map. https://cuilcaghlakelands.org/discover-explore/communities/

You can hear how the project grew and developed over that fifteen months in the video of the launch at Cavan Burren Park (yes, we did it outdoors, sheltered but open at two sides to ventilation; nothing, but nothing was going to stop us getting this project launched!) You can also listen to some poets reading their work at the launch in the video..

On the foot of the March 21st UNESCO World Poetry I conducted some haiku walks in the UNESCP Global Geopark with adults and school children.

Adult Gingo (Haiku Walk) for 2022 UNESCO World Poetry Day

For some of those kids it was the first school outing in two years. The Fermanagh primary pupils did nature art with Geopark colleague Julie Armstrong, while the older children wrote haiku poems inspired by the sights seen and touched. They got to run fingers over multi-millenial aged rock art, mosses, lichens, liverwort and lung wort. (The proliferation of the latter near where we live is an indication of our clean air quality, which other doctors reckon might have accounted for our ducking the virus. Also, we have lots of trees. And we garden so our Vit D levels might be good from exposure to sunlight year round. We do SO have friends!) The children were out and about in the fresh air for two hours before heading back to school for the afternoon classroom sessions.

Rock Art at Cavan Burren Park
Tullygobban Lough, formerly a turlough

Peering at Prehistory. View of Calf Hut Dolment
What animal do you see?

And as to that question – and from which side you look at this glacial erratic, you get many opinions. Some see a snake’s head. Others see a cat, but not necessarily the domestic variety. Still others see a frog. Here’s the haiku I wrote with the Tattygar Primary School P5 class.

Limestone tortoise crawls

Slowly – for eternity

Across old sea floor

Bee Smith, 29th March 2022

For the first time in five years I am not doing the write a poem a day challenge for NaPoWriMo. I highly recommend this exercise, but though it feels a bit weird not to participate, it also feels right. It is an intensely busy, as well as an intense time for our planet. There is plenty needs doing in the garden. Also, sometimes you need to let things fester a while before you face the page. The rapid response with a daily poem feels somehow…ill-conceived…for 2022. Certainly this time needs poetry, but it feels, to me at least, that a time of consideration is needed at the inception. A week of playing around with a phrase from the ginko on 19th March wound up as the refrain in a much longer poem written yesterday.

But don’t let that stop you from writing a poem a day this April! Work away!

I am very much enjoying the resumed Zoom creative writing group of about eight women who get together to free-write on themed topics each Saturday afternoon Irish time (though it is 10am for the participants Zooming in from Ottawa and Rhode Island.) The Irish group is also cross-border, with women tuning in from Fermanagh, Leitrim and Cavan. This group has really bonded and feels a very precious part of my life.

See! I do have friends! I just see them on Zoom a lot of the time still.

National Poetry Day in Britain

Today is the UK’s National Poetry Day. Since Northern Ireland is part of the UK and my husband was born in Northern Ireland I like that I get to celebrate a National Poetry Day twice a year. Three times if you include my birthplace, the States. But today, I want to wish all my British poetry friends a wonderful poetry filled and fuelled day.

Cuilcagh Lakelands UNESCO Global Geopark is partly in the Republic of Ireland and also in Northern Ireland. There is a UNESCO World Poetry Day every 21st March, too. So we get three opportunities at celebrating our earth’s heritage and the natural environment each year. I felt that today is an appropriate day to give you an update on the Geopark Poetry Map.

As all things in the time of Covid, in a time of remote working and summer holidays, projects can snail pace at times. We are working steadily towards the launch the Geopark Poetry Map. The long short list has been read and re-read, silently and aloud and the final eight poems have been selected from our Open Call. Those who will be included have been informed. In the final formation I am satisfied that we have a balanced representation in terms of geography and gender. We also have poems, cinquain and haiku, from school children from Cavan and Fermanagh so we have also involved young people in the project even under very restrictive circumstances. We were also lucky enough to have Dara McAnulty, who spent his childhood within the Geopark, to agree to writing a new poem for the Geopark Poetry Map even as he was working on his A levels!

Sidebar: I am so grateful that two schools stepped into the project given that they have had a horrid year and incredible academic challenges during Covid. The Fermanagh school has a kind of bell tent pitched so that there is a foot off the ground to allow air flow. This gave us some shelter from the rain the day of our workshops, though the midges were feeling pretty frisky! The Cavan class was very small and they cheerfully carried their desks and chairs outside and remained masked because they shared desk space. Which I found very moving – considerate of others’ health, stoical in the face of current realities and still engaged with the creative process! The principals of Florencecourt Primary and Curravagh National School are heroes in my estimation. Despite all the bureaucracy, both public health and educational, they wanted their kids to be able to do something creative. And mostly to engage with someone who was not the same face seen every day for that past eighteen months. Truly, they are educators with a wholistic sense of welfare for their pupils.

Meanwhile, during this week of UK Poetry Day, Ramor-Townhall Cavan are busy casting the actors and recording the voice overs of the texts written by the five commissioned authors, the four schoolchildren and eight adults selected to have their poems mapping the geoheritage of various sites around Cuilcagh Lakelands UNESCO Global Geopark. We are plugging along and are getting closer to the finished product.

We hope to have a launch date for the Geopark Poetry Map firmed up soon…but as Mercury is retrograde until 19th October and Mercury Retrograde tends to slow down and snarl alll things internet, transport and communication, I am waiting with bated breath…

In the meantime, I include the geoheritage poem I wrote to Poetry Ireland Day last April.

The Hindmarsh Theory of Instability
In Ribbed Moraines

The world is made of caprice and chaos.
Or so it may seem.
Even as the land quakes and is sliding
avalanches, sacred geometry
spirals around ice
its melt, clay and rock.
Though you might not see.
Though the evidence is there at your feet.

Boulder and clay fractured by ice slide.
Dragged like Jayne Torville
in the grand finale to Bolero,
Dean pulling them prone,
their skates scarring tracks across the surface.
Parallel ripples 
evidence of creation’s  mammoth feat.

Minibus bouncing down a Cavan lane,
a verdant hummock,
suggestion of the ribs in the moraine.
More like lazy beds
built for giants’ appetites in times
before potatoes
would be a feed in a fulacht fia.

A lough pocked land where little rivers run
between, twisting,
gnarled like the antlers of the Giant Elk
dropped off at the end
of its last rutting season. Extinction.
Fossil memory.
The sacred geometry in chaos.

The buzzard flying high above can see
the lines that ripple
running down ancient Grandmother Earth’s cheeks.
The buzzard can see
more than we who have all the evidence
there beneath our feet.
Caprice. Chaos. Sacred geometry.

Map of ribbed moraine area that straddles North and southern parts of Ireland

Cuilcagh Lakelands Global Geopark Poetry Map Update

Did I mention that we have had a name change for our Geopark? What was formerly known as Marble Arch Caves UNESCO Global Geopark has rebranded as Cuilcagh Lakelands UNESCO Global Geopark. The Cavan Geopark Ambassadors and some of the Fermanagh Heritage Champions were in on the rebranding consultation process and we all were more than satisfied with the final decision. It more completely embraces a truly crossborder identity, marrying the iconic Cuilcagh Mountain that straddles the border along with the many lakes and other waterways that meander back and forth across the international boundary. The mountains and drumlins and the waters winding through and around them are the characteristics that define this Geopark region. While Marble Arch Caves is responsible for there being a Geopark in this region in the first place it limited the identity and confused visitors who did not quite grasp that there are over fifty other sites they can visit in Fermanagh and Cavan as well, each packed with geoheritage significance.

The past couple of weeks have been immersed in other people’s words. There has been the anguished process of drawing up the long shortlist from the nearly fifty poems submitted for our digital Geopark Poetry Map. May were outstanding, some awesome in their execution. But all the poems submitted had a bedrock of genuine love for this region and its geological heritage. Many said they had really enjoyed the challenge of creating a geoheritage themed poem; it was a welcome activity that broke up the routine of Lockdown. When travel restrictions were lifted it spurred on the stream of submissions. Yet, this is an interesting statistic. In 2020, the visitor tickers around the Geopark clocked up nearly half a million visitors; that was the most ever recorded. Clearly, people were returning again and again to this awe-inspiring and uplifting landscape. We needed nature more than ever before, even as nature in the form of a virus was changing our lives utterly. All the submissions had great heart. Which is why the selection process has been so anguishing.

As of yesterday, all the commissioned poets have delivered their poems on various sites. Each is in a very different style, but all have addressed various aspects of the landscape in their geological and mystic wonder. There is an Irish/English poem from Séamus Mac Annaidh on Cuilcagh. Belcoo born poet Maria McManus offers a stunning view from the depths of Marble Arch Caves. Dara McAnulty takes us up to the raptor heights of Big Dog Mountain. Noel Monaghan travels the finger like tributaries of Loughs Oughter and Erne. Anthony J Quinn’s visit to Devenish Island is an exploration of hiddenness, uncertainty and surprise.

The next stage will take these offerings towards their eventual digital home. Watch this space for news of its launch.

I am working on a poem for submission elsewhere so there is only the briefests of haiku from the archive fthis week. But they all celebrate aspects of Cuilcagh Lakelands Geopark and geoheritage. And I decided to share some of my Geopark inspired haiku from ginkgo we have taken at various sites in years past.

Shakehole, Claddagh Glen
Fossils under your feet
Because August 15th was the Feast of the Assumption and there was a Mass celebrated at the local holy well. No four-footeds in attendance though

The world is, as the Aussies say, doing it tough, this week. Read a poem, hug a tree, pat a mossy rock or a pet. Watch birds in flight. Listen to their calls. Be well and stay safe.

Weekly Poem – Lúnasa Harvest

If you were paying attention then you may have noticed that I missed posting a new poem last Tuesday. What with the blistering heat finally abating there was enough energy to actually do some garden harvesting and outdoor work without melting. Lúnasa is the Celtic festival that begins on 31st July. We have had a bank holiday weekend just as we do at Samhain. Lúnasa is the Irish name for the month of August. What with one thing and another my week looked a bit like this…

Garden harvest of peas, broad beans, courgette and lettuce with one of the Lúnasa or Lammas loaves I baked this weekend

I recited some Lúnasa poems on my friend John Wilmott’s Nature Folklore Sunday Sessions this past Sunday. You can find him every Sunday on YouTube or Facebook Live. You can ferret through the archive by connecting on his Facebook Page Carrowcrorry Cottage and Labyrinth Gardens. If you peruse his channel you will learn a great deal about the Irish folklore surrounding Bilberry Sunday and Lúnasa and Crom Cruich.

I cannot do the live with him next Sunday so I made a wee video of one of the poems I am posting for you today. He will be looking at the old god Crom Cruich or Crom Dubh next Sunday. This god of the underworld was much celebrated in this region where I live, Cuilcagh Lakelands Geopark. (YES! Marble Arch Caves UNESCO Global Geopark has a new name to more accurately reflect it’s crossborder identity!) The Blacklion-Belcoo region about eight miles from where I live was a great centre for worship of Crom Cruich. The text for one of the poems is below. A video reading this poem and another is uploaded on YouTube. I recorded it in my garden this past Sunday.

Bilberry Sunday

Hurry to cut the hay! Foot the turf!
The blazing sun plays beat the clock
waltz time to tractor engine tune.

The Council officials scythe the long grass
around graves in the old cemetery
dressing them up to be blessed once again.

Sunday is meant to be for rest.
In this most strenuous season
long days of sweat bear first harvest.

Even so, we take the time to climb up
holy heights or circle the holy well
repeating ancient patterns, saying prayers.

Bilberry’s tight fruit, slightly sour,
are offered up on walks taken
in high summer’s brief leisure hours.

Bog myrtle too sprouts from peat rich high ground,
exposed to sun and scorched dry by recent heat, 
splintering like bog oak exhumed, risen.

up from damp ancient underworld,
Auld Crom Cruich’s proper domain,
along with Belcoo’s freezing spring.

The pilgrims visit, praying the pattern,
An elegy, requiem for dying
Summer and all being gathered.

But just now we are too busy.
We must save the seed and preserve
fruits of harvest we don’t consume.

We are too busy to mourn what’s cut down.
It’s enough to know the year is waning.
That seed saved is hope of new beginnings.



Since I missed last week, I will add a wee haiku as a bonus.

Lazy orbiting
Thistle's downy seed head drifts
Summer's surrender
Thistle down