Geopark Poetry Map Prompts 13

This is the penultimate prompt for the Geopark Poetry Map challenge. This weekend is a bank holiday in Northern Ireland and next weekend is the bank holiday in the Republic of Ireland. So there is still plenty of time for residents to visit sites around Marble Arch Caves UNESCO Global Geopark before the submission closing date of 15th June 2021. The Geopark has that UNESCO badge because the natural and built heritage (which is inextricably connected to the nature heritage) is considered to be of world heritage worthiness, just Giant’s Causeway or Brú na Boinne for instance. It’s just that we are spread out over two counties, cross international boundaries and tens of thousands of hectares. We want you to visit both the famous sites and the lesser known ones and we are looking for geoheritage themed poems to put many onto our digital Poetry Map, which will go live on the Geopark webiste in October 2021.

Today, I want to highlight a castle, because I also want to reach out to readers abroad and we know that everyone loves an Irish castle. And ruins can be so romantic… who does not love a stone ruin? So atmospheric! Tully Castle lies close to Derrygonnelly in County Fermanagh and has a dramatic history, as most castles do! But it is also the geology and wildlife of its setting that makes it a prime site to put onto our digital Geopark Poetry Map.

Around 340 million years ago, during the Carboniferous period, the island of Ireland would
have been located around the equator. Positioned on the edge of a much larger continent
meant that the area was covered by a tropical shallow sea. The lime-rich mud that gathered
on the sea floor, has over millions of years been compacted to form limestone, the rock that
makes up the majority of the Geopark. As the abundance of sea creatures died, their bones
and shells sunk to the sea floor and have been preserved as fossils in the limestone rock
which dominates the shoreline at this location.

Tully Castle is located on the western shores of Lough Erne and exposures of limestone are
particularly evident along the loughshore, indeed, the ‘scallop’ marks created as a result of
the water from Lough Erne lapping onto the loughshore are commonplace. The site
command impressive views onto the Lower Lough Erne which was created as huge ice
sheets slowly crept across the landscape, until it ended approximately 15,000 years ago,
acting like giant sheets of sandpaper, removing all underlying material from their path and
forming a valley that would eventually fill with water to become Lower Lough Erne. My of the surrounding hill and islands that are visible from Tully Casle are drumlins, which are formed from till or boulder clay that was sculpted into this characteristic egg-shape as massive ice sheets slowly crept across the landscape during the last glaciation.

It has a range of woodland, grassland and wetland habitats, including Northern Ireland
Priority Habitats of high biodiversity value. Broadleaf trees, mainly Alder, Ash, Birch, Hazel
and Grey willow, occur in woodland on the drumlin slopes and the lough shore. The
woodlands are rich in flowering plant species such as Bluebell, Early purple orchid, Golden
saxifrage, Wild garlic and Wood anemone, together with the Soft shield-fern, mosses and
fungi. The Castle grassland, has over 100 flowering plant species including the Cat’s ear,
Common spotted-orchid, Knapweed, Ragged robin and Yellow rattle. The main species are
Common bent, Jointed rush, Ribwort plantain and Sweet vernal-grass. Grassland and
woodland edge habitats support the butterfly species Green-veined white, Meadow brown,
Silver-washed fritillary and Small tortoiseshell. Red squirrel and Otter occur and bird species such as Kingfisher, Red- breasted merganser and Whooper swan can be sighted.

In 1610, following the Flight of the Earls (1607), King James 1 granted 2,000 acres of land in
the townland of Tully, known as Carrynroe, to Sir John Hume. Tully Castle (1611-15) built for
Hume, consisted of a strong house and bawn. It is a castle Scottish in design, built by Irish
stonemasons. Sir John Hume from Berkshire in Scotland was one of the first planters to
settle in Fermanagh. He died in 1639, leaving the castle to his son, Sir George. On
Christmas Eve 1641, Rory Maguire, accompanied by a large following of rebels, set out to
capture Tully Castle. Sir George and many of the troops were away. Lady Hume
surrendered the castle on the condition of the safe release of all there. However, on
Christmas Day, Maguire and the rebels massacred all sixteen men and approximately sixty
women and children who had taken refuge within the bawn, sparing only the Humes. They
then pillaged and burnt the castle, which has remained a ruin to this day. The castle’s
location on the Lough shore is one of great beauty.

Martina O’Neill, MACGeopark Development Officer, Partnerships & Engagement

It has a tragic history of duplicity and death, and yet on such sad historical ground there is a rich range and refuge for wildlife. I noticed the early purple orchid on my lane is out this week. Maybe you could visit Tully Castle this weekend and spot one, too! If you want to learn more about the site MACGeopark post this helpful leaflet on their website.https://www.marblearchcavesgeopark.com/wp-content/uploads/2020/10/Tully-Castle-Leaflet.pdf

Geopark Poetry Map Prompts 12

Greetings Earth lovers and Poetry writers! I am posting the MACGeopark Poetry Map Prompt a bit later today because…you know…life laundry, messages (as they call those hunt and gather errands in Northern Ireland); a neighbour needed a lift to fetch their car that had been mended. They day evaporated and I am just getting down to this after a hastily eaten tea whipped up in the space that of a Bewitched nose twitch. (Beans on toast with a fried egg if you are truly curious.) Today I want to highlight a dramatic site in Marble Arch Caves UNESCO Global Geopark that you cannot fail to notice if you travel the Blacklion (Cavan) to Florencecourt (Fermanagh) Road. The border seamlessly moves from Cavan with a segue into a “Welcome to Fermanagh” sign – no Customs post or passport control. This road known locally as the Marble Arch Road and it leads to many of the Geopark’s best known sites. Hanging Rock dominates the landscape. I remember seeing it for the first time twenty years ago and feeling full of awe as we drove past. It has showstopper writ large. If it were a Broadway musical it would be the 10 o’clock number.

But as I passed by with the jaw hanging loose, little did I know its truly remarkable nature.

Overlooking Lower Lough Macnean is a magnificent 50 m high limestone cliff – the Hanging
Rock. The limestone from which the cliffs are formed was created around 340 million years
ago during the lower Carboniferous geological period, when Ireland lay close to the
equator. Located on the edge of a supercontinent, where sea-levels were higher, the area
that we now call Ireland was covered by a shallow tropical sea. The limestones formed by
the accumulation of lime-mud on the bottom of this ancient sea floor and from the remains of dead sea creatures that would have thrived in these waters. Limestone formation is a very slow process; layers and layers of limey deposits build up on the ocean floor and are
compacted by the weight of the water over millions of years. Closer inspection of the
limestone will reveal, fossils (typically bones or shells) of creatures that lived in this ancient
tropical sea. This specific type of limestone is known as Dartry limestone.

Interestingly, two stream risings lay at the base of the cliff, known as the Hanging Rock Risings. One of the risings is constantly active, while the other dries up during times of low rainfall. The risings are traced to only one source, Legacapple on the Marlbank above, but the water is believed to combine from a number of other sources.

Yew and juniper cling to its face. At the bottom of the cliff is one of the finest ash woodlands
in Northern Ireland. It is believed that the great variety of lichens found here indicate
woodland cover since ancient times. An area was clear felled in the early 1940s and has
now grown back naturally.

To the west, in Rossaa Wood, oak, beech, great willow and elm have grown to full maturity
and shelter a rich variety of plants. There are slopes covered in grasses amongst which
grows the colourful Welsh poppy. toothwort, a parasitic plant, lives on the roots of hazel and
elm. It looks unusual as it is totally white and stands out against the mosses on the damp
woodland floor. Red squirrels can occasionally be seen in the woodland while the elusive
pine marten has been sighted in recent years.

Local legend says that a rock dislodged from the cliff and fell onto a local salt trader taking
shelter from a storm. This rock became known as the Salter’s Stone or Cloghoge and sits
prominently at the road side to the east of the reserve.

Martina O’Neill, MACGeopark Development Officer, Partnership & Engagement

A geoheritage poem based on Hanging Rock can tap into many of the elements of this MACGeopark site. First, there is the distinctive profile.

Image by Joan Shannon

The other components are wind and water, the fossil record in the limestone and.in the many tree species. Yew and juniper are considered some of the ‘first trees’ to have emerged after the Ice Age Melt. Indeed, at Florence Court House and Grounds, a National Trust site further down the road, there is a yew that is referred to as ‘The Mother Yew’ of Ireland, as they have the oldest representative of the species Taxus baccata ‘Fastigiata’. This is ancient landscape on so many levels.

You still have time to submit a poem to put this site onto our digital Geopark Poetry Map. Your poem may be represented alongside the commissioned work of five poets from Northern Ireland and the Republic of Ireland. If you want to submit a poem in Irish that would be very welcome, but please include the English translation alongside it. If you would like full guidelines please email GeoparkPoetryMap@gmail.com. The closing date is 15th June 2021.

Geopark Poetry Map Prompt 11

Today I want to highlight not so much a site, but a geological feature that characterises the MACGeopark region – glacial erratics – those huge boulders and pedestal rocks that we find, especially close to Cavan Burren Forest. But I also have to say it is not unusual for you to see one that, having been unearthed when building a new home, becomes a front garden feature roundabouts. Which makes sense since our earliest ancestors saw them as aesthetic objects made of rock. They use them as their palette for some of the earliest examples of human art on this island. In terms of geoheritage topics you cannot beat the beauty, mystery and mystique surrounding glacial erratics. Surely, some poet can sing a hymn of praise to these earthly wonders for our Geopark Poetry Map!

This is an example of a type of glacial erratic, whereby the huge boulder would have been
left behind as the ice melted and retreated at the end of the last glaciation. The fact that the
boulder is a different type of rock from the underlying bedrock gives rise to the name ‘erratic’. This type of erratic is known as a pedestal rock and these features are relatively rare landforms. However, there is a significantly high concentration of pedestal rocks within Cavan Burren Park where they are considered to be of international significance. In order fora pedestal rock to form, the erratic must be deposited directly on top of the limeston
bedrock. Other glacial erratics within the forest have no pedestal suggesting that they were
transported within a mass of boulder clay and therefore came to be deposited on top of the
boulder clay and not directly on to bedrock. It is thought that the deposition of the huge
sandstone boulder directly on top of limestone acted as a barrier to erosion, as limestone
erodes readily in weak acidic water such as rainwater. If this is the case, then the amount of
erosion that has taken place since the end of the last glaciation is easily estimated as the
height of the limestone pedestal is the height that all of the limestone would have been whenthe erratic was deposited.

Martina O’Neill, MACGeopark Development Officer, Partnership & Engagement

Within Cavan Burren Park there is also a rare example of what is called a ‘modified glacial erratic.’ Signposted as ‘The Boulder Tomb’ it is thought that cremated remains were deposited in the niche created by the modifications. There is also rock art at this location. A small spring can be found towards the bottom of the incline. I have to agree with local ceramic artist Jim Fee that this part of Cavan Burren Park has a special and very peaceful presence.

Enter the site and walk towards the huge boulder in themiddle. It is best to view this feature from below so walk downhill before stopping. This is another example of a huge glacial erratic. It displays evidence of alteration by man with rock art on the top surface. This is another example of a pedestal rock with the erratic beingsandstone and the underlying pedestal being limestone. In this instance the limestone has been carved and has been identified as a prototype tomb. If you look carefully at the sandstone you will see that the layers are contorted in places. This is probably due to some form of disturbance before it became lithified, when the wet layers of sand were disturbed causing the water to be released.

Martina O’Neill, MACGeopark Development Officer, Partnership & Engagement

All the Marble Arch Caves UNESCO Global Geopark sites are open to the public and now we are free to travel round the country. Northern Ireland has a bank holiday this weekend and the Republic will have one the first week of June. You may want to visit Cavan Burren Park and hug some of these glacial eratics to inspire some poems that will put them on our Geopark Poetry Map. Email GeoparkPoetryMap@gmail.com for submission guidelines. The closing date is 15th June 2021.

Glacial eratics in Cavan Burren Park

The Weekly Poem – Tuning Fork

During a pandemic is is nice to have a routine engagement in the diary. If it is Tuesday, then it is time to write and post the weekly poem, even though it be a first draft. I have been working hard on the MACGeopark Poetry Map project, so it was like rediscovering play this morning when I realised I could write anything at all that I wanted. The sheet was blank. So was my mind, too!

But I took up my Personal Universal Deck, a little activity set during NaPoWriMo2021 last month, and pulled some cards to see what sparked. If you want to create your own set of poetry prompt cards I refer you to that original NaPoWriMo post on Day 3. They post a link that tells you how to make your own. ttps://paulenelson.com/workshops/personal-universe-deck/. It’s quite a long process as my students and I found out. This was the first time I actually put them through their paces.

The benefits of word play…and I stress the play element, is not to be underestimated. It has been a cold, rainy Spring here in Ireland and some outdoor projects have been put on the long finger. Temperatures have been so low at night time we have delayed planting. So play has to devolve to indoor activities a good deal of time this past month. Anyway, a bit of whimsy and word play is a bit of fun on a damp Tuesday.

Tuning Fork

Strike it on my cast iron hearth.
It trembles, quivers as it vibrates, hums
just like my husband's, quiet breath
in tune with his internal beat and flow
(a great favourite word of his).
Even as the cats' whiskers twitch, as do
the little deaf dog's ears alert,
then subside back into slumber. Whose tune?
What melody line flirts around
the kitchen and the living room? Airwaves
stroke like long fingers in concert,
musician's hands working the afternoon
Palm Court crowd supping  fancy tea,
wiping melted butter oozing off crumpets.
All in time to the sweep and sway
of stringed instuments, sometimes lulled, sometimes
breathless with tension,  suppressing
excitement, the breath shallow, chest heaving.
What key do we play in today?
Can we learn to sight read the shivering
airwaves, divine the call for right
response? Or let them dance like dust motes play,
suspended in the late afternoon light.

Copyright © Bee Smith, 2021. All rights reserved.


If it is a dull day and you fancy trying your hand at writing a poem, you could do worse than peruse the poetry prompts I have been posting to inspire geoheritage poems to be submitted to our digital Geopark Poetry Map. I have been making daily posts the past ten days and will do a fortnight’s worth in all. Hope you can have some fun word play today, too. And if it is rainy this weekend you have some inspiration at hand.

Featured image Photo by Magic Bowls on Unsplash

Geopark Poetry Map Prompts 10

Hello Earth lovers and poetry writers! Day 10 of our MACGeopark Poetry Map prompts visits Tullydermot Falls. We are seeking geoheritage themed poems on various sites across Marble Arch Caves UNESCO Global Geopark. MACGeopark, as we who know and love it refer to it for short, was the first international, cross-border Geopark on the planet given that it has sites in County Fermanagh in Northern Ireland, part of the UK, as well as sites in County Cavan, Republic of Ireland. The geology of the region carved by sliding ice sheets over millenia knows no international boundaries. MACGeopark came into being in 2004, Marble Arch Caves and Cuilcagh Mountain Park forming the original boundary. It later expanded into County Cavan, covering some 18,00 hectares and over 90 sites of importance. In 2015, UNESCO gave MACGeopark it’s highest designation, recognising the world heritage importance of the region.

Here we are in a global pandemic in a time when geoheritage is of massive importance to the global future. In this Great Pause, which is tentatively hovering over the ‘on’ switch, MACGeopark has launched this digital Geopark Poetry Map to engage with the wider public, those both at home and abroad, adults and school age children. Over this fortnight until this Spring Bank Holiday Weekend (in Northern Ireland), I am publishing ‘sparks’ to help you engage with a site’s geoheritage and cultural significance to inform your poetry making.

Nature poetry has a long and strong tradition. The pastoral has given way to environmental and climate change poetry. But at the basis of all is the earth and how it shapes us. How we live, earn our bread, grow our food, our language and customs are all bound up with the shape of the land.

So, to today’s site! Tullydermot Falls, close to Swanlinbar in County Cavan.

In flowing to the sea, rivers try to deepen their valleys to the same level as the sea. Old and
mature rivers tend to have broad flat river beds whilst younger rivers are characterised by
water falls and rapids. This is especially the case in the upper reaches of rivers such as at
Tullydermot Falls. Tullydermot Falls occur in the upper reaches of the Claddagh River, a
tributary of the Erne River, which flows eastwards from its source in the Cuilcagh Mountains towards Swanlinbar. The falls are caused by the action of the water on the underlyingbedrock which consists of alternating layers of hard sandstones and softer shales. The fast flowing river erodes the soft rock leading to the undercutting of the overlying hard rock. The derelict cottages and farmhouses that are dotted across the landscape in this part of County Cavan are a stark reminder of the thriving farming communities that would have once been found throughout the Irish countryside. Many other landscape features also remind of this bygone era. Remnants of ‘lazy beds’, a method of forming ridges of earth to provide for crops can be seen in the fields nearby. Carefully packaged stacks of traditionally hand-cut turf dot the fields on either side of the Claddagh River, a technique that is still employed throughout Ireland to this day

Martina O’Neill, MACGeopark Development Officer, Partnership & Engagement

If you are wondering what hand cut turf looks like (and you can see it in peat bog close to Tullydermot Falls), this is what it looks when it it is harvested each summer.

Here is some video footage to give you a taste of the ‘water and the wild.’

I hope that some of these poetry prompts over this fortnight will spark poems that appreciate the layers and nuances of our geoheritage here in MACGeopark. You can get guidelines from GeoparkPoetryMap@gmail.com. The closing date for submissions is 15th June 2021.

Geopark Poetry Map Prompts 9

Greetings from a scattered sunshine day here in a MACGeopark community. I say scattered sunshine because there is still the odd raindrop now and then. But at least it is not the hail stones that drummed on our roof yesterday! Spring is coming late to us in 2021, which may be why we just bought ourselves an upcycled fire pit. It is made from old tire rims and other bits and pieces. If we are going to have a cuppa with friends outdoors then we shall be swathed in blankets and can toast our toes along with the marshmellows this summer!

For today’s Geopark Poetry Map prompt I am sticking with the water theme. Because, along with rocks, water is a lot of what we have got! Today, I want to highlight Shannon Pot, the point when the underground source of the River Shannon bursts above ground to pour itself along ever widening banks down the length of the Republic of Ireland. My husband and I live in Dowra, the first village on the River Shannon after it’s rise a few miles north We pitched up in Dowra on a Mart Saturday back in September 2001. Little did I know then that this small corner of Geopark heaven would wind up being the place I have been resident longest in my lifetime. Who would have thunk it?!

But…back to the Shannon Pot:

The Shannon Pot is located in the foothills of Cuilcagh Mountain and is regarded as the
source of the River Shannon, the longest river in Ireland and the UK, with a length of
approximately 280km. The river flows from its source on Cuilcagh Mountain, to its estuary
below Limerick, and together with its tributaries drains an area of some 15,500km2, or about
one-fifth of the island of Ireland.
The Shannon Pot’s fame can be traced to the legendary Finn MacCool and the Fianna, the
great warriors of Irish mythology. Legend has it that Síonnan, the daughter of Lodan (a son
of Lír, the Celtic God of the Sea) came to the Shannon Pot in search of the great Salmon of
Wisdom. The salmon was angered by the sight of Síonnan and caused the pool to overflow
and drown the maiden. Thus the Shannon Pot was created. As surface water flows down from Cuilcagh Mountain, it will eventually sink and flow as underground streams and rivers. Up until recently it was thought that the Shannon Pot was the ultimate source of the River Shannon, but water tracing experiments have revealed that the Shannon Pot is fed by a variety of streams that sink on Cuilcagh Mountain, the furthest of these being over 10km away in county Fermanagh.
In this region, whenever water sinks underground, it works its way downwards through pure limestone (Dartry Limestone Formation) until it reaches the impermeable muddy limestone(Glencar Limestone Formation) below, forcing it to travel along this boundary until it intersects the surface as a spring or resurgence. However, the Shannon Pot is unusual as
the resurgence here is found within sandstone and shales, meaning that there is an
additional influence on the underground hydrology, apart from the lithology. In this instance
there are a number of faults that are most likely to have controlled the flow of groundwater,
acting as conduits instead of the limestone itself.
The hydrology of Cuilcagh Mountain has been studied for over 30 years, with many
important water tracing experiments being conducted to determine the underground flow of water.

Martina O’Neill, Marble Arch Caves UNESCO Global Geopark Development Officer, Partnership & Engagement

Our very first Christmas in Dowra we visited Shannon Pot before having our dinner. We had closed on the sale of our new home not three days prior. It felt very peaceful and we were completely in a state of awe and gratitude that we could afford to live in such a gloriously beautiful place, so close to nature.

I also have very fond memories of visiting Shannon Pot with a USA visitor on a misty and rainy April day. The hawthorn was blooming in the hedgerows that line the path down to the Pot. Through the mist we saw this very white horse (often called greys) with a sheep. It felt very ‘into the magical.’

You can visit the Shannon Pot if you are in Ireland. It is along the posted Cavan Way hiking trail. If you visit by car there is a picnic spot and small playground to exercise the little ones.

Here is a video that my friend Jane Gilgun posted on You Tube ten years ago. The information is all still relevant and it gives a good feel for the landscape.

Geoheritage of Shannon Pot

I hope these blogs will prompt geoheritage-themed poems that will put this site on our digital Geopark Poetry Map and inspire you to visit the Geopark. All the sites are open to the public now. You can get full submissions guidelines by emailing GeoparkPoetryMap@gmail.com. The closing date for submissions is 15th June 2021.

River Shannon between Shannon Pot and Dowra

Geopark Poetry Map Prompts 8

Greetings Earth lovers and Poetry writers this watery Sunday. We are on a land of lakes theme this weekend (and I do not mean to plug a certain USA brand of butter from Wisconsin. Wisconsin may have more lakes, but it is also twice the size of the island of Ireland.) Both Fermanagh and Cavan, however, claim to have one lake for everyday of the year. Which is why Marble Arch Caves UNESCO Global Geopark can claim to be the Lake District of Ireland. With so many to choose from surely you can put today’s lough on #MACGeopark digital Poetry Map.

Today’s lough is one that is close to my own home. Lough MacNean straddles the international boundary between Northern Ireland’s County Fermanagh and County Cavan in the Republic. There is an Upper Lough MacNean and a Lower Lough MacNean. Lower Lough MacNean is completely within the Fermanagh boundary. There is a little strip of river and wetland between the two with a bridge that links the villages of Belcoo in Fermanagh and Blacklion in Cavan.

The freshwater would have provided abundant fish and the system of loughs and rivers would have been a good way to navigate to better hunting grounds. Cushrush Island in Lower Lough MacNean shows evidence of habitation from the Mesolithic Age, when people first migrated to the island of Ireland. The many small islands would have made convenient stop offs. There are also remnants of crannogs in Lough MacNean, those man made islands (!) that modern eyes see as easily defended from marauders. But that is pure speculation. Some early ancestor decided to experiment with engineering. But, given the many megaliths surrounding the Lough MacNean area, it seems that the early dwellers were keen engineers, which is not pure speculation. We can still see the evidence of their labour and ingenuity.

This is the geological background to how this landscape was formed.

The single biggest impact on the landscape of the Geopark comes from the last glaciation.
As huge ice sheets slowly crept across the entire area, acting like giant sheets of sandpaper
and removing everything from their path. Some of the ice moved westwards forming the
glacial valley of Lower Lough Erne and Lough Macnean. Indeed many of the islands located
within Lough Macnean are in fact drumlins. These form from till or boulder clay that was
sculpted into this shape as massive ice sheets slowly crept across the landscape during the
last glaciation. Glacial moraines are another relict of our icy past and this is a general name
given to material left behind as the ice retreated at the end of the last glaciation. They tend to be primarily composed of sands and gravels and the land bridge that connects Upper and
Lower Lough Macnean is an excellent example of a glacial moraine.

Martina O’Neill, MACGeopark Development Officer, Partnerships & Engagement

Moraines and drumlins walk hand in hand across the landscape. The island of Ireland has the largest moraine field on the planet and the Irish language gave geologists the word drumlin. It comes from the Irish droimnín, translating as little ridge. These whale-backed hills (metaphorically) swim in pods across the breadth of this island from County Down to Donegal.. You can find moraines and drumlins in many counties in Ireland. The moraines may not be seen, but the drumlins certainly can be seen and are the visual clue to what has gone on over the eons under your feet.

I hope thaat you have been finding some inspiration to submit poems to the Geopark Poetry Map. All sites are open to the public. But if you have to be an online visitor because of these pandemic times, you are also welcome to visit with your imagination and submit a poem, too. You can get full guidelines by emailing GeoparkPoetryMap@gmail.com. The closing date is 15th June 2021.

Geopark Poetry Map Prompts 7

Having a good weekend Earth lovers and Poetry writers? I hope so. To spur on geoheritage poems on #MACGeopark sites for our digital Poetry Map, I have been posting blog prompts for a week now with every intention of offering another week’s worth of poetry prompts. All the Geopark sites are open for visits and we are, at long last, able to travel outside our own county. You can get full guidelines and some great research resources by emailing GeoparkPoetryMap@gmail.com . The closing date for entries is 15th June 2021.

Today’s featured site is Lough Annagh, near Belturbet, Co. Cavan. The photos featured today are by my Zoom fitness instructor, Claire Shannon, who lives virtually beside the lough. She is also part of an intrepid group of year round swimmers known as Lake Annagh Dippers.

Remember back to Poetry Day Ireland and my poem about ribbed moraines? No? Here is a refresher.https://sojourningsmith.blog/2021/04/29/mapping-a-part-of-the-geopark-this-poetry-day-ireland/ Lough Annagh is part of the Lough Oughter system of ribbed moraines.

It is also part of a Special Protection Area and Special Conservation Area as a natural eutrophic lake. Whooper Swans over winter here from their Icelandic summer nesting home and year round residents include widgeon and crested grebes. So plenty of geoheritage happening here to find its way into a poem!

Geopark Poetry Map Prompts 3

Hello Earthlovers and Poetry Writers! This is Day 3 of a fortnight of poetry prompts to help you write a site specific, geoheritage poem that will put that site on the digital Poetry Map of Marble Arch Caves Global Geopark. You still have time to submit your poem. The closing date is 15th June 2021.You can email GeoparkPoetryMap@gmail.com and I can email a map of the Geopark and plenty of supporting material that will give you useful background to many of the sites.

Today I want to look at the interaction between the land and how it influences the development of industry in a region. Belleek Pottery is an international brand. So many of us have been given some Belleek ceramics as a wedding gift or a landmark birthday or anniversary present. When I led the Celtic Women International Brigit’s Day Tour in 2011, a visit to the factory in Belleek was a special request for the itinerary for a group of visitors from the USA.

But the reason Belleek has become the internationally renowned ceramic brand is down to the feldspar and kaolin deposits in the region of Castle Caldwell. Let me quote from the document created for the Geopark Poetry Map project by Martina O’Neill, Development Officer-Partnerships & Engagement.

During the 1840`s the Caldwell family fortune declined, leading to the entire estate,
including the village of Belleek, being passed to John Caldwell Bloomfield. It was Bloomfield
who commissioned a geological survey of the estate, revealing rich mineral deposits
of Feldspar and Kaolin (china clay). These minerals are important raw materials used in
the production of fine china and so Bloomfield capitalised on his good fortune by founding
the now world famous Belleek Pottery and to this end a large industrial lime kiln is present
along the loughshore.


The rock that surrounds Castle Caldwell Forest form part of what is known as the Lough
Derg inlier, inlier being the term given to an area of formation of older rock surrounded by
younger ones. The inlier allows a window through the ‘shallow’ sub-surface rocks to reveal
deeper and older formations. These are metamorphic rocks, pegmatites, have been formed
due to the transformation of existing rocks, by heat and pressure. These are coarsely
crystalline granitic rock produced in the final stages of cooling from the molten state. Veins
of unaltered pegmatite are found in this area, cutting though the earlier rocks and their
structure. They contain quartz, microcline feldspar and the micas biotite and muscovite. It
primarily this microcline feldspar, along with a clay similar to Kaolin also found on the estat that provided the original raw material for the porcelain produced at Belleek Pottery. Kaolin
is typically associated with the weathering of rocks rich in feldspar.

Martina O’Neill for Marble Arch Caves UNESCO Global Geopark

Do you have a poem about Castle Caldwell or Belleek china? Did you purchase some as a souvenir of a trip to Ireland? Or was it a wedding present? Consider how the land has sustained employment for generations in the area and its by-product travelled the world.

If you do have a poem about this MACGeopark site, please submit your poem to be considered for the MACGeopark Poetry Map. Email me for full submission guidelines at GeoparkPoetryMap@gmail.com.

And then Cailleach Beara Laughed

…at my last post,which implied Spring was a coming in here in Ireland. And it was, pretty much, until the last few days. Then on Thursday we had the most astonishing sunrise. More astonishing still, I was up and at the digital memorialising of it even though the temperatures were sub-zero. Because you know it’s cold when you have to put a hot water bottle on the (outdoor) calor gas drum to coax it to flow so you can have your breakfast porridge!

Red sky in morning, shepherd’s warning and all that… We woke up to a very different dawn, with a barely there light and snow coming down. Only around two inches like, but that is enough for orange snow and ice warnings for the area from MetEireann. My husband fed the birds and I walked the dog before 9:30 am during a lull in the snowfall. The mountain in the sunrise photo was obliterated between heavy cloud and snowfall. The wind, on a yellow warning, did some damage; between the weight of the snow and the wind, a long tear seared the polytunnel’s skin. (Not to worry, since it was scheduled for a re-skinning this spring.) So it has felt as if the Cailleach Beara, or Mother Winter, really was having a laugh at my precipitous statement.

However, it livens up what I am now terming Pandemic Groundhog Day. For those of us who have really stuck to minimising our essential trips (most to the village that is 3km from home) and taking exercise within 5km, it amounted as a major change of scenery to take the general waste to the tip 20 km away. We also needed the nearest health food store 32 km away, last visited the first week in December after Lockdown 2 lifted, for items unobtainable in the village. It felt like visiting Babylon.

And while I have continued my haiku/senryu/tanka a day journal, I really have felt the flame of inspiration sputtering and guttering. At least I know I am not alone in this. Here is my friend and sometime creative colleague, Morag Donald’s, recent blog. (https://moragdonald.wordpress.com/2021/02/05/creative-spark/?fbclid=IwAR3c4coU7wfTGBzWqrKIvamRWrPNRX2Dn0VKL-yaa3Nf3ZlFaK-WsYgSTuE). Brigid’s Day 2020 saw us co-faciliating a day retreat of craft and poetry. I look forward to days when we can co-create in person.

The sheer grind of keeping the household tidy, supplied, hygienic, fed and watered, as well as taking our prescribed thirty minutes of daily outdoor exercise has been energy sapping. It may, in part, be the toll the January injury took, but I am now coming round to the conclusion that there is a chink in my pandemic stoicism. There has been a death from Covid in the next village over from us, according to the local undertaker’s wife. (The things you learn while doing the weekly shop!) And I posted off two Recuperation CARE parcels in the past ten days. This variant is picking off the younger generations and hitting them hard.

Yes, the Cailleach laughed. Winter is not over yet. Even so, I did a panic online shopping spree last Sunday when I saw a report that Brexit has slowed plant and seed supplies into Northern Ireland, where our nearest garden centre is located. A quick online snoop had me ordering willy nilly from various Republic of Ireland sources, alarmed at all the ‘Out of Stock’ labels. Still need to source spuds and yellow onions.

Meanwhile, my friend Morag’s blog post seems to be pointing me in the right direction for digging myself out of my creative funk. My zoom classes and students probably kept the creative flame kindled in 2020. I need to acknowledge that I receive so much from that contact and be grateful for them. It might be time to make contact with those creative colleagues again to keep inspiration’s flame alive. I am thinking that it might be time to recommence the poetry workshops, starting with a two month dive into a handful of poetry forms.

I do have a poem in the works, but it is not fully ‘cooked.’ In the meantime, I am pointing you towards a video show I participated in last Sunday, hosted by my friend John Wilmott of Carrocrory Cottage and Labyrinths. I read four poems at roughly thirty minutes into the show. One poem is in the archive, but the others are probably new to blog followers. (https://youtu.be/sfIofvscCyY).

The poem that is in the works was ‘sparked’ by the theme of that day’s show. Hope you get some inspiration. Meanwhile, renewal is on its way. The snowdrops are blooming and the daffodil shoots are braving it through the snow. I just need to be more like them.