When we ventured forth these past few days I saw the first rowan berries. There were leaves that had the first blush of autumn on their leaves. This week Storm Ellen blew threw and knocked out our electricity for nearly twenty-four hours. Then there was the knock-on effect to the internet server up on Arigna Mountain when their backup generator gave up. The sky has often had interesting splashes of Prussian Blue on its palette. In the meantime, in the long hours when I was conserving the juice in all my devices, I wrote pages of longhand. All of it prose. Not a jot of poetry.
Some is prep for the online creative writing workshop that will begin on 1st September. There is a single space left! So if you have been humming and hawing over it, grab it while you can. Full details here: https://sojourningsmith.blog/2020/08/18/creative-writing-workshops-on-zoom/.
The hours of prose breaching the margins of my notebook is thanks to an online course I have been following, courtesy of the Cavan Arts Office. Online courses are a very good way to fill the creative well. You never know where they will take you. I have been looking at one being offered by the Cavan County Writer in Residence, Anthony J. Quinn, Wild Storytelling: Nature and Landscape.(http://www.cavanarts.ie/Default.aspx?StructureID_str=6&guid=188). In the murky light as the rain poured down and the wind raged, toppling trees and decapitating gladioli, I surprised myself with the flood of memory pouring onto A4 pages in my notebook.
Now my life is not all writing. I have spent many hours as a Marble Arch Caves UNESCO Global Geopark guide, leading tourists around Cavan and Fermanagh and the Geopark’s fringes. Nature and landscape are really important to my life. But the very first exercise pulled me back to a very different geography.
My childhood was spent in Marcellus shale country, not in the border country where the two pieces of Ireland rub shoulders. Memories flooded in. What was meant as a nature and landscape piece became page after page of an inscape, a memoir of growing up in a small Pennsylvania town in the 1960s.
This came as a complete surprise to me. Quinn did lead me into the wild, into the unexpected terrain of long ago memory. The Celts reckoned that memory was the fount of all poetry. Perhaps. At the moment it is the fount of prose. I have a very messy draft. But then wildness is not known for its tidyness.
The craft of writing is about clearing up after your messy drafts. But I am still deep in the flotsam and jetsam of the memories storming across the pages. I need to allow it to blow through me onto the page and then move to the screen where it will get shuffled around, arranged and rearranged. There will be cuts. Those always hurt. But I remember what my mentor said about thinking of those edits as conjoined twins. You are not killing your baby. You take that sliver of infant writing and put it into a separate incubator. Hope that it may survive and thrive to have a life of its own in a separate piece.
Over the next few weeks the Sunday Weekly may be more about prose than poetry. We shall see. But I do have a poem for you this week. It is only at third, or possibly the sixth or seventh (whose counting?) draft stage and has been lying in its cot for a month or so. The Relic Road is the local name for a lane that used to lead to the old Protestant cemetery, which nature has obliterated. It is heavily wooded now. Every storm brings down limbs and branches that litter the narrow lane’s way.
If Marc Chagall Painted the Relic Road Every fragment is sanctified, flesh long saponified salts the earth, skin slipped off like a gown. Souls of the departed sail, swooping in the singing trees - their echoes hoop where no one lives but the Pleiades. The ground is grit of knuckle bone. Also luminous as winter’s bright aconite. The shivering trees are acolytes looking on at tombstones long past subsided, swallowed by earth, erased by wind, the wind, season upon season. No names remain. No descendants survive to look on and remember. Just the trees. Their murmuring. The sky. The music of ghosts flying past. Copyright © Bee Smith, 2020. All rights reserved.